News and Updates

Some quick updates from what has been a busy spring/early summer.

  • Work continues on a looping/ambient CD, this time of normal CD length. I am exploring the idea of multiple unsynced loops at once. I am also continuing to research alternative ways of setting up my guitar synth/looping rig. Boomerang III? Triple Play? The Boomerang is stereo, which is amazing, and allows 4 loops at once, with their own decay rates. But it doesn’t have the Echoplex’s unrounded multiply function which I use a lot. I need 2 Echoplexes for stereo though, and prices are pretty high. I can’t do multiple loops at once on an Echoplex, either. As far as the Triple Play, I don’t want to bring a laptop out to gig with, and it is incompatible with the 13-pin out on my Brian Moore Guitar. Tracking is fast, and when recording, you have lots of sound options. But my goal is to have a simple, easy,setup for live playing, which is almost always in mono. This might leave me with all older gear, which isn’t always a bad thing. I hate mountains of wires, and a long setup time. This might eliminate my Fractal AX8 from my looping rig, though. Decisions.
  • Writing and demoing is happening on Julie Black’s 4th CD, and we hope to hit the studio this fall. No idea what form the CD will take…it might be something like digital downloads to start. Carrying around boxes of CDs seems ridiculous in this day and age, and isn’t the way most people listen to music. Plus, they are expensive to make. We are also working on studio issues, like fixing some wiring, organizing, and coming up with new ways to record.
  • If you are friends with Julie Black on Facebook (or me), we Facebook Live 1 song from rehearsal every Wednesday at 9pm Eastern. It is an interesting look into the rehearsal process, which is hidden a lot by bands. Now I am noticing lots of bands in the area doing something similar. Did we start a trend?
  • I am playing many shows with Julie this summer, check out the dates on her page. Solo ambient dates have been scarce as I rebuild my rig into something portable that gives me the options I need. Modern gear is great, but routing becomes a problem. I do have many solo acoustic shows this summer though, doing my improvised loopy stuff.
  • I will try to be using some downtime to work on my Facebook artist page, and this website, which take time to update and promote. Thing is, as an individual artist, you only have so many hours of the day. I wish I could ask an assistant to do this sort of thing, but in the end, that person is me.

Keep checking back. When recording starts for Julie’s CD, I plan on having a studio log, with pics and notes from recording. It will be her most ambitious recording yet, with music not easily thrown into a stylistic box (my favorite kind).


ABC-TV Appearance and New Ambient Track

First, the new ambient track was recorded in stereo with a Fractal AX8 and a Boomerang III, which is capable of recording 4 unsync’d loops that overlap and don’t line up rhythmically. This song is part of a group of demos for a new CD. I will be writing more like this for an upcoming CD. This one is called Here Child, Finish Your Nothing.

The next item is from a Julie Black appearance on ABC-TV’s Morning Blend show. We played one acoustic song (Majesty of Hope) that appears on her 3rd CD, Follow the Muse.

Check out our appearance here.

The green room at the ABC studios.

Our view across the studio

Projection on the floor of ABC-TV studio

Watch a clip of me recording the solo in the recording studio.

 

 


Playing What You Don’t Know

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Advancing as a guitar player is never seen as a slow and steady climb. It is more like a series of steps with pretty long spaces in between. While it might seem like you don’t get better for weeks or months at a time, one breakthrough can lead to months of inspiration. Those are the times I look forward to, and probably the reason I do this whole guitar thing. Modern ‘guitar culture’ sends us an endless stream of messages about what guitar to use, what to wear, how to look, what to listen to, and debate endlessly about gear. In the end, it is the player that has to push through all of that and not just reinforce what we already know, but be brave enough to venture into something we don’t. This article will help us along that journey, but only if we take the leap.

HOW DO YA LEARN?

OK, Far Beyond the Sun, from the top!

Far Beyond the Sun, from the top!

Traditionally, music was learned through direct connection: a master musician taught a student. Lessons got a little harder each week, and the student practiced hard and get better at a slow, steady pace. Traditional classical instruments are still taught in this manner, as well as some jazz programs at higher levels. However, modern electric (and much acoustic) guitar playing isn’t taught like this. Every guitar teacher has his/own method, and electric guitar is still so young compared to those older classical instruments, that it really hasn’t had time to establish a method that works for everyone. Besides, lessons aren’t for everyone. Not everyone wants or needs lessons, and with the internet, you can learn a lot on your own. Even reading guitar magazines helps so much these days, as you can learn many different styles, complete with sound clips all without leaving your home. All it takes is being self-motivated enough to sit down in learn them.

THE GUITAR PLAYER’S GUIDE TO INERTIA

McCartney doesn't seem to have this problem, so why do I?

McCartney doesn’t seem to have this problem, so why do I?

Newton’s First Law says that a body at rest wants to stay at rest. When applied to guitar playing, and learning new things, our natural inclination is to do nothing. That is easy! You already have a pool of knowledge, so it is time to draw from it! Problem with this is that if you write songs, at some point your 22nd song will sound a lot like your 3rd. Yes, bands and musicians have made careers out of recycling ideas over and over (put on your schoolboy uniform and think hard), but these days, the more you know, the better equipped you are to Tell Your Own Story.

CARRY ON AND MOTIVATE

3d-printed guitars are certainly outside the box.

3d-printed guitars are certainly outside the box.

The problem arises when we pickup up our guitars and immediately start playing what we know. Of course I do! It rocks! My hands know exactly where to go! Everybody thinks I am so cool because of my rockin’ licks! 

But this is the problem. If we always stay in our comfort zone, we never want to leave. Soon 20 years go by, and we are still the same player as we were 20 years ago. Same solos, same intros we play, same cool showpiece we practiced like crazy…20 years ago. If we want to be better players, we might want to start doing something now that stimulates creativity. The idea is that if we take ourselves outside of what is comfortable, we realize what we know is inadequate. And, if we don’t see a teacher who should regularly do this, we have to do it ourselves.

SHAKE IT UP, BABY!

New musical situations are challenging, but fun. Yeah, we feel like we are in 2nd grade when playing over an unfamiliar chord progression, or might not quite have our tone perfect for playing classic metal, but you will get there, and acquire more tools in the process. Here are a few ideas:

  • Play in unfamiliar keys. Blues in F, or metal in Eb (without retuning)
  • Retune your guitar to something different, or play in standard tuning if you always downtune.
  • Use the neck pickup and your tone control
  • Use the clean channel.
  • Set up your effects in a random order
  • Get a looping pedal and practice improvising over unfamiliar chords.
  • Try a different pickup than you would normally choose.
  • Listen to different music and find something you like in it
  • Write using a capo. Record parts on that song without using a capo.
  • Learn very basic keyboards- it will change how you view the guitar
  • Avoid riffs or power chords in the next song you write
  • Use conventional gear in an unconventional way
  • If you’ve heard it before, don’t do it
  • Take your influences and discard them
  • If you play something horrible, do it over and over
  • Learn the basics of scales and chords they are used over
  • If you are terrible at tapping, write a song using only tapping
  • Use a different guitar than you are ‘supposed to’ for the style you play
  • try to write a pop song, or a song for a commercial
  • No repeating patterns!
  • One thing, repeated. Precisely and quickly!
  • Pick up a slide. Play metal.
  • Play solos with nothing but chords
  • If your hands automatically do something when you pick up the guitar, don’t do that one thing. Ever. Again.

While not everything on the list is possible at once, it does give you an idea of what I’m thinking. If we are unhappy with what we play, we have to decide not to play that way anymore. Find things you like in other players, and then meld them with your own approach- you might find that someone will listen to you one day with the same sense of wonder. But only if we break out of the patterns that we have always relied on. Music should constantly evolve, and so should our playing. If we don’t constantly poke a stick into our own backs, no one else will.